For the price it is available, this Sony A6500 is the best in the market. Unlike the Olympus OMD EM-1 II I am currently testing, you can still toggle between these while recording too. Sony A6500 has external dimensions of 120 x 67 x 53 mm (4.72 x 2.64 x 2.09″) and weighs 453 g (1.00 lb / 15.98 oz) (including batteries). One major difference between the a6500 and the previous a6300 is the addition of touch control for autofocus, both when viewing via the rear screen or the electronic viewfinder (EVF). To do this you’ll need one of Sony’s newer E-mount lenses (some older ones don’t seem to offer all the functions). Both companies have enabled the use of the rear screen as a touch pad to control focus when you are viewing through the built-in electronic viewfinder (yes, you could also do this with the Panasonic GH4, but the AF system just wasn’t in the same league). I suspect Sony opted for the two different approaches because the direct tap method would take some skill and muscle memory to do just by feel without looking at the touchscreen. The power of Sony’s autofocus system cannot be questioned but sometimes at 11fps in low light, the hit rate lowered as the focus was lost on the camera when the subject quickly changed. This does not bode well for the chances of the touch AF system working with Canon lenses on a Metabones or other EF to E-mount electronic adapter. Maximum aperture: f/1.4. The autofocus proved to be really good and I can’t say I’m surprised. Here is something curious. This is something I would like to see improved. Feb 28, 2017 ... Yeah, it's not easy to find an A5100 today in camera stores, I agree. Buffer. Watch the clip below to see how it works. But for how much longer? I would much prefer to have the option to set the touch AF to be in absolute positions on the rear screen when using the EVF – I believe this is what Canon do on the M5, although I need to verify this. Conclusions. For longer form stuff that is edited it is much less so. I own and use one of these. The reason for this is that the M5 keeps the touch system when using the EVF, while still allowing you to drag the point if you want to. That means there is still no headphone jack in the camera itself, but there is a 3.5 stereo mic input. Sony a6500 Body & Design. Sony A6500 Autofocus. 4.7 out of 5 stars 628. For anything live I think this is still a deal breaker. Again, for now, the obvious solution if you encounter problems is to fall back to manual focus. Recording is still UHD 4K internally to SD cards, or in 8-bit 4:2:2 via HDMI to an external recorder. If you want to monitor the audio you are recording then you will have to use similar tricks to those that users have adopted for a6300. The Sony A6300 and A6500 were strange releases, considering that Sony skipped models in-between. Except some exotic 6K and 8K video recording cameras, 4K is the new standard in consumer video world. Sony have moved the button placement though and there are now two custom buttons on the top plate which should prove useful. You also get full HD recording at 120 fps, which is great for slow motion footage. That’s pretty much all I know about the a6500 so far. With Sony A6500, you can record your videos at a highest resolution of 3840 x 2160 at 30p,25p,24p fps with bit rates up to 100 mbps and save in MPEG-4, AVCHD and XAVC S formats. You should therefore … In the press release, Sony states that the processing speed of the … Luckily, Sony have made this relatively easy to do. Sony reps did suggest that it should be very similar to the a6300 and I’m not expecting any big surprises. In fact, it’s the first Sony cropped sensor camera to boast 5-axis stabilization. His career started in photography but evolved into documentary, multimedia and broadcast TV. Autofocus: 4D autofocus performed accurately on the Sony a6500 for both wide-angle and macro. A quick test of the new Sony a6500 done using only touch continuous autofocus. This way you have a very clear indication of which focus mode you are in at all times. One other thing to note is that the touch AF does not work in video mode with Sony A-mount lenses combined with Sony’s own LA-EA3 or LA-EA4 adapters. In terms of video performance, the two models are very similar with some advantage to the a6500 due to its new advanced autofocus system and touch screen LCD. Panasonic GH5: Is video autofocus as good as Sony a6500, Canon 80D? Sadly, the odd really bad error does give the game away. He shot the first news video on a DSLR and has been on staff at Reuters, The Guardian and CNBC. The A6500 uses a hybrid system which includes 425 phase and 169 contrast detection points. As for the rest of the camera its going to be a case of wait and see. ... Sony A6600 vs A6500 – Video. It features Sony’s 4D Focus technology and in our tests it proved fast and reliable, even for sports and challenging subjects such as birds in flight. It is also incredibly accurate and the tracking system is excellent. This A6500 adds in-body stabilization and a primitive touch screen for an additional $400 over the otherwise mostly identical A6300.. All with continuous autofocus as you please too. (The a6500 is equipped with a Sony 10-18mm f4 lens). The a6500 isn’t the first mirrorless camera to offer such a solution; the Panasonic GH4 has a similar system but the autofocus system isn’t capable of making smooth focus pulls because it uses contrast detection and not a form of phase detection. The autofocus is so fast and reliable in both photo and video modes that I can not recall when was the last time I used manual focus with the Sony a6500 and since I use it for traveling which often times, require me to capture a moment spontaneously, I have to rely on autofocus most of the time, and the Sony a6500 doesn't disappoint. The Sony a6500 is the company's top-tier APS-C mirrorless model, a 24MP stills and video camera with image stabilization. A site for working professionals in the TV & Film industry. All details aside, it is fair to say that the Fujifilm X-H1 and Sony a6500 are actually quite similar, at least as far as the image quality, autofocus and video capabilities are concerned. I could never have focused the shots where skaters come towards me at speed with the same accuracy as the a6500. He shot the first news video on a DSLR and has been on staff at Reuters, The Guardian and CNBC. If the lock-on AF does lose your subject you can reacquire it with another touch. The touch focus system may well be Sony’s first truly usable autofocus system for video and it certainly bests any of the ‘proper’ video cameras from the FS range. For the price it is available, this Sony A6500 is the best in the market. When setting up you have the option to have the whole screen, half the screen, or just the right quarter of the screen as the active swipe area. The a6500 does make mistakes when focusing, but more often than not they are the result of operator error rather than the camera’s brain. What is the difference between Sony Alpha a6500 and Sony A6000? There is a definite improvement in ability to lock focus when shooting macro, but note that I was using the 16-50mm (I had used the 90mm for reviewing the a6300). ... What you get is 1.56x oversampling in each dimension, resulting in very crisp video footage. The Sony a6500 utilizes the same hybrid AF system as the mid-level Sony a6300 and performance is identical. 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